前 言
第二十六届中国厦门国际石材展,于2026年3月16日-19日在厦门国际会展中心盛大启幕。作为全球性的专业石材展览会,本次展会拥有191000㎡展示面积,细分8大主题展区,24个展厅,以“爱拼KEEP PASSION”为主题,聚焦产业全链新动能、创新应用新潜力、全球贸易新格局、跨界融合新思潮以及共享生态新机遇,与全球石材朋友们,一起探索石材未来的无限可能。
2026年,厦门人居设计生活节以“石材的感官剧场”为主题,构筑了一场材料与感官的深度对话。石材不再是静止的铺装材料,而是融合了时间、光影与空间的载体。设计正以其独特的创造力,推动石材从物理构造向感知体验转变,以更具思辨性、诗意性的方式,重新诠释其未来在人居空间中的精神价值与美学张力。
2026年人居空间设计展,由设计行业领袖梁志天担任主策展人,并联袂Andrea Bonini、Woody Yao、黄永才、谷腾、崔树、潘冉、刘增申七位国内外设计大咖,组成策展矩阵。通过设计与材料的创新应用,使石材的物理属性转化为可被触知、聆听乃至共鸣的感知界面,让空间体验回归至一种具象化的、与材料共存的深刻状态,重新定义,何为栖居。
“石境之曦”取灵感自海边历经风雨的玄武岩柱。玄武岩由火山喷发后的岩浆在海水中急速冷却凝固而成,是大自然的地质奇迹,象征着经历过极致的炽热与冰冷、动荡与沉淀后的坚韧与永恒。
设计以“风雨后的晨曦”为情感内核,将玄武岩柱阵厚重、坚毅的秩序感,与海边初升阳光的温暖与通透的光芒相融合。正如石材需经亿万年地质运动的与风雨洗礼方能成柱,人生亦需在磨砺中坚守本心,终会迎来晨曦照耀的豁然开朗。
“WHEN STONE LEARNS TO MOVE 石韵流动”是一个沉浸式装置,在这里,身体与天然石材之间的关系变得主动而富有感官体验。空间以曲折流畅的大理石结构展开,引导参观者放慢脚步,带着意图移动。石头不再是静止或庄严的存在,它弯曲、引导并伴随身体沿着连续的轨迹前行。
镜面与反射表面消融了房间的界限,使视角层层递进,让每位参观者既是观察者,亦是参与者。穿行于装置之中成为核心体验:空间随脚步流动而变幻,感知在节奏、触感与光影中重塑。
这种经典材料迸发出一丝俏皮气息,在古老的石头与当代行为之间创造出微妙的对比。石材在此变得轻盈,更具人性,更贴近日常生活。
“Stone in Motion 流动的石头”并非供人观赏的物体,而是一个用来体验的空间。一个静谧的剧场,材料与身体在此相遇,感知先于影像而生。
这是一次通过五感进行与石共生的探索。
多件石材雕塑作品,长椅、融合床、书桌与梳妆台的岛台,以及高耸的石砌置物架,共同构成空间。
每件作品皆可触摸,引发思考,抚慰心灵。这是一片触觉交织的场域,纹理、声音与光影在此交汇。
在这里,石材并非静止的物体,而是充满感官魅力,将功能转化为感受,将材质升华为记忆。
在一个7x9米的场地内,打造一场名为 “现场” 的沉浸式旅程。通过 “见石、见技、见心”的三部曲,将ICE STONE从原始肌理到人居灵魂的蜕变过程,浓缩于一个极度聚焦、充满张力与温度的“理想之家”中。
STEP 1|见石 · 廊道画廊
狭长通道两侧,粗犷的原始荒料墙与精准的博物馆光,共同营造一场剥离纷扰的感官仪式,直抵材料本真。
STEP 2|见技 · 舞台沙龙
抬高的错层舞台,一张以大荒料为基座的精研大板作为核心,四周陈列由小料打造的艺术化家居品,极致展现点石成金的匠造技艺。
STEP 3|见心 · 下沉客厅
围合的下沉空间内,石材化为温润的茶几、背景墙,完美融入极致松弛的居家场景,引发“愿居于此”的情感共鸣。
本方案在有限场地内,构建了一个有温度、能对话的“现场”,完整讲述了ICE STONE从材料到艺术,最终抵达心灵的品牌故事。
以“轨迹”为主题,蔚蓝金叶和蓝金沙石材为核心介质,践行极简设计。聚焦石材原生特质与未来需求,融入雕刻装置与镜面反射,通过五感体验,引发对自然材质价值的思考。
蓝金沙以原生荒石为基底,保留自然肌理,通过原石的呈现和机械的自然状态构建五感体验。还原天空大地质感,目光锁定蓝金脉络,耳畔共振石料的采源。这些特质是其区别于人工材料的常规运用,契合回归自然质感的内心需求。
整体用“雕刻装置“去呈现一个巨型的圆锥移动,以极简工艺转译石材肌理;镜面反射则拓展空间感知,让原生荒石与雕琢形态相互映照。动线引导观者聚焦石材,引人深思:工业化背景下,空间需求已从功能转向情感共鸣,石材作为自然载体,未来将成为传递原生温度的情感媒介。
设计的终极目的,是剥离一切刻意修饰,让观者在蓝色的沉静的色调与厚重的质感中,重拾对自然造物的敬畏之心,反思设计与原生的边界——真正的设计不应凌驾于材质之上,而是读懂“轨迹”的初心,实现人工与自然的和谐共生。
本次的设计以“圆形”为核心主题。石材在切割与打磨为圆形体的过程中,会呈现独特的立体肌理。与平面板材不同,圆形石材在抛切时,不仅展现横切面的纹路,更因其立体形态,得以同时显露纵向与进深的纹理——即荒料在三维空间中的完整脉络。这一特质,成为我在此次创作中着重探索的石材语言。
进入展场,观众将看到一系列以抛切石材排列而成的装置,其灵感来源于石材仓库中大型荒料被吊起悬垂的震撼场景。每一片石板如被定格的时间切片,在序列中展现肌理的连续与变化。部分区域设置镜面,通过镜像反射,使石材纹理产生对称、交叠的视觉韵律,仿若自然生成的“对花”图案,在空间中构设出意想不到的图形关系。
展览的动线设计同样呼应“圆”的形态。主展墙以一道外凸的弧线构成,初看仿佛具有某种向外拒绝的姿态;但当观者走近,弧线实则从两侧将人温和地导向内部,形成一种含蓄的迎接。这一安排,亦隐喻着“圆”所承载的星球意象——石材源于地球,而地球本身正是一颗圆融的星球。石材作为构成大地的物质基底,在此化身为微缩的星球切片,引导观者思考材料、形态与我们存续的这颗星球之间,深刻而本质的联系。
以“礼”为空间主题,从古代礼器“玉琮”中汲取灵感,将“内圆外方、贯通天地”的哲学意象转化为当代空间语言,打造集文化体验与石材展示于一体的沉浸式场所。
入口处以斜向片状墙构建“礼庭之地”,配合地面导示系统引导进入;正面宝格丽粉石材打造的“琮形”装置点明主题,温润的荷塘月色地面与粗犷的艺术肌理墙面形成对比,深色木梁天花与之呼应。核心区“琮韵石殿”取玉琮“中通”之意,外方内圆的水景庭园中,呈现出一种 “时空对话”般的静谧与哲思氛围,融合了自然与人工、沧桑与现代、沉静与灵动的多重对比与和谐。
洄游展廊以灵动的展墙序列与多元灯光,让每块石材以最适合的方式呈现其质感故事。私密洽谈区“声画息心”由片墙围合,深色石材与精确灯光营造出富有戏剧感的安全氛围。
整体动线遵循“引-展-浸-悟-谈”的节奏,通过空间开合与明暗变化引导情绪。此次设计将古老礼器符号转化为叙事语言,让石材不仅是展品,更成为承载东方智慧与品牌审美的精神载体。
“石材能量剧场”是地质演化与宇宙创世的隐喻空间,以石材为载体,通过五阶段哲学与可感知的能量场,构建一场跨越时空的能量对话,激活人类对自然、时间与永恒的探索欲望。
本剧场以石材的裂解与重组为叙事原点,模拟宇宙大爆炸的创世瞬间,重构时空的量子叙事。共分为五阶段哲学,分别为藏、微、琢、现、用;藏:石材封印宇宙能量,凝固时间本质;微:解码石材肌理中的星际基因,显化微观宇宙;琢:雕琢释放星尘能量,转化工艺为能量谱;现:通过光影、投影与互动装置,将石材的量子特性转化为可感知的时空能量场。用:量子物理与可持续理念重塑石材应用,拓展材料在当代设计中的可能性。
总的来说,设计革命重构石材表达,融合科技与永恒。
唤醒空间的情感记忆,探寻理想人居的未来新图景,期待下一届人居空间设计展与您不见不散。
The 26th China Xiamen International Stone Fair was held on March 16-19, 2026 in Xiamen International Conference and Exhibition Center (XICEC). As a global leading stone exhibition, Xiamen Stone Fair is divided into 8 exhibition areas in 24 halls with as total space of 191,000 sq.m. Under the theme “KEEP PASSION”, the fair focuses on new momentum across the entire industrial chain, new potential for innovative applications, new patterns in global trade, and new trends in cross-industry integration within the shared vision - connecting in a broad circle.
The 2026 Xiamen Habitat Design and Life Festival centers on the theme “The Sensory Theater of Stone”, presenting a perceptual revolution across dimensions. Through design, it unleashes the sensory value of stone, infusing living spaces with various ways of perception and emotional warmth. Stone becomes the main character of space, where its intrinsic physical properties are no longer merely static material attributes but transform into active storytellers capable of evoking emotional resonance with viewers.
The chief curator of Habitat Interior Design Exhibition 2026 is Steve Leung, collaborating with global leading designers including Andrea Bonini, Woody Yao, Ray Wong, Gu Teng, Cui Shu, Jaco Pan and David Liu.
“The Dawn after Stone Storm” draws inspiration from the coastal basalt cliffs shaped by relentless wind and waves. Formed when volcanic magma met the sea and cooled in an instant, these geological wonders embody a paradox: they are born from extremes—intense heat and icy water, violent upheaval and deep calm—yet stand as enduring symbols of resilience.
At its heart, the design captures the essence of “dawn after the storm”. It merges the solemn, orderly presence of the basalt columns with the tender, illuminating glow of sunrise over the sea. Just as stone is forged through eons of geological transformation and the lash of the tides, so too must we weather life's trials, holding fast to our inner strength until we, at last, emerge into the clarity of a new dawn.
“When Stone Learns To Move” is an immersive installation where the relationship
between the human body and natural stone becomes active and sensorial.
The space unfolds as a curved, flowing marble structure that invites visitors to slow down and move with intention. Stone is no longer static or monumental: it bends, guides, and accompanies the body along a continuous path.
Mirrors and reflective surfaces dissolve the limits of the room, multiplying perspectives and turning each visitor into both observer and participant. Walking through the installation becomes the core experience: space changes with movement, and perception is shaped by rhythm, touch, and light.
A playful moment emerges within this classical material, creating a subtle contrast between ancient stone and contemporary behavior. Here, stone becomes lighter, more human, and closer to everyday life. It is not an object to look at, but a space to experience - a quiet theatre where material and body meet, and perception comes before image.
Stone in Motion is not an object to look at, but a space to experience - a quiet theatre where material and body meet, and perception comes before image.
An exploration of living with stone through the five senses.
Three sculptural elements - a long bench, an island that merges bed, desk, and dressing,
and a tall tower of stone containers - define an interior carved from a single material.
Each piece invites touch, reflection, and calm: a tactile landscape where texture, sound,
and light meet.
Here, stone is not static but sensuous - transforming function into feeling, and material
into memory.
In this 7m x 9m space, “The Site” creates an immersive journey. Through “Seeing Stone, Seeing Craft, Seeing Soul”, the transformation of ICE STONE's materials—from raw texture to the soul of living—is condensed into a highly focused “Ideal Home” full of tension and warmth.
A narrow corridor lined with rough quarry walls and precise museum lighting crafts a sensory ritual stripping away distractions, unveiling the essence of the material.
On the raised stage, a refined slab atop a massive raw block takes focus, surrounded by artistic home accessories crafted from small stone pieces—showcasing the masterful craftsmanship. In the enclosed sunken area, the marble coffee table and wall are seamlessly integrated into a relaxed home scene, evoking the desire to dwell here.
This design builds a warm, conversational “Site” within a limited space, completely telling ICE STONE's brand story—from material to art, ultimately reaching the heart.
Starting from “The Orbit”, this design uses Palissandro Onda Marina marble and Palissandro Blue marble as core materials, practicing minimalism while focusing on stone's innate qualities. Through sculptural installations, mirror reflections, and the juxtaposition of raw stone with mechanical states, it constructs a five-sensory experience prompting reflection on natural materials.
A giant cone moves along a precise curved orbit, “carving” upon a pool of raw stone blocks as its “canvas”. Mirrors expand the space, creating visual contrast between the refined cone and rough blocks while constructing an endlessly carving scene within reflections. This invites contemplation on the integration of function and emotion in spatial needs under rapid industrialization.
Immersed in calm blue tones and substantial texture, visitors rediscover awe for nature's creations. True design should not overpower material; the harmonious coexistence of technology and nature is the essence of “The Orbit”.
This design explores the unique language of stone when cut and polished into spherical forms. Unlike flat slabs, spherical stone reveals deep three-dimensional textures during cutting, presenting the complete spatial context of the raw block.
In this space, a series of cut stones are arranged like suspended time slices, displaying continuous textures in sequence. Mirror reflections create symmetrical overlapping textures, forming a natural "pattern matching" rhythm and generating unexpected graphic relationships.
The circulation design echoes the “Sphere”: the main display wall is curved, gently guiding visitors from both sides—a subtle welcome. This arrangement metaphorically suggests the planet: stone originates from the Earth, and the Earth itself is a sphere. As the fundamental material of the planet, stone here becomes miniature planetary slices, prompting reflection on the profound and essential connection between material, form, and the Earth.
Centered on the theme of “ritual”, the space draws inspiration from the ancient ceremonial object, the Jade Cong. The design transforms its “round inside, square outside” philosophy into a contemporary spatial structure.
At the entrance, diagonal slab walls form the “Ritual Courtyard”. A Cong-shaped installation in Bvlgari Pink marble highlights the theme. The warm Avocatus quartzite floor contrasts with rough textured walls, echoed by the dark wood beam ceiling. The core “Jade Cong Stone Hall” evokes the Cong's hollow center. A square water courtyard with a circular island creates a tranquil “dialogue across time”. The meandering gallery uses dynamic walls and layered lighting to showcase each stone's texture. The private “Sensory Resonance” area uses dark stone and precise lighting for a dramatic ambience. The circulation follows the procedure of “Guide – Exhibit – Immerse – Contemplate – Converse”. Stone becomes a spiritual medium embodying Eastern wisdom and brand aesthetics.
“Stone Energy Theater” is a metaphorical space representing geological evolution and cosmic creation. Using stone as the medium, it constructs an energy dialogue across time through a five-stage philosophical narrative, awakening humanity's desire to explore nature and eternity.
The theater takes the fracturing and reconstitution of stone as its starting point, simulating the moment of the Big Bang. It is divided into five stages: Concealment, Micro, Carving, Manifestation, and Application.
Concealment: Stone seals cosmic energy, freezing the essence of time. Micro: Decoding the cosmic genes within stone's texture, revealing the microscopic universe. Carving: Sculpture releases stardust energy, transforming craftsmanship into an energy spectrum. Manifestation: Through light, shadow, and interactive installations, stone's quantum properties become a perceptible energy field. Application: Quantum physics and sustainable concepts reshape stone's use, expanding its possibilities in contemporary design.
In summary, this design revolution redefines the expression of stone, merging technology with eternity.
We look forward to seeing you at Xiamen Stone Fair on March 16-19, 2026.
