“我此次创作的初心首要是关乎石头的观念，其次才是以空间的形式呈现。所以，在整个空间的塑造中，石材是点缀，用量很少。就中国传统观而言，少即是多。空间以《楚河汉界》为主题，引用中国传统的象棋为形志，意在双方各持选材价值观，志在传达给观众以如何使用石材的思考。”

“整个设计在视觉上的感受就是象棋的棋盘，两边看到的核心区位是两个帅位。西方建筑少者百年，多则上千年，基本是以石材构造的。所以，棋盘双方中一方是以欧式古典罗马柱柱头为“形”，代表的是善用、爱用石材的一方；另一方，是用钢筋做成的中国建筑传统柱墩，柱墩里堆积剩余石材余料，而这些余料是雕刻罗马柱所剩下来的边角料，代表的是材料的重复利用和可持续利用的一方。”

“中间的跷跷板寓意着设计师亦或业主在材料选择上的重复思考，不断切换，用多、用少、怎么去用？上下一周的LED屏幕播放的是大自然丰富多彩的视频，寓意着地球赐予我们的美好家园，我们如何更好地去珍惜。整个展览空间想表达的是关于材料或是石材的两面性思考以及可持续发展观，每位观众各有各的读解，给人们更多启迪！我们不绝对提倡这样或那样的主张，一切因人而异，但我们只是提出一个问题，触及以给更多人去思考。”

“在这个空间中，我把石材当做星球中的一种物质，而不是板材或者是日常中人们对石材的固有印象。我希望以物质的方式去体现石材在空间当中不同的感染力，然后大家透过这个作品，可以对石材有不同的思考，这个是很重要的，如果只是局限于一个材料的本身，创作就会变得很单一的。”

“装修材料是人为去演变去定义产生的，而石材是太空中、在我们星球中是本来就存在的一种物质，这是有情感的，当石材成为一种情感的输出，这个空间会产生更多的魅力。设计师们在做设计思考的时候，尽量去打开脑洞，不要局限于人们对物质定义的本身，而是去延展到任何物质的可能性。”

“就像这面墙如同水波纹一般，其实这个石材本身就是海底沉积下来的，我们希望可以通过这种方式去表现物质产生的来源，去展现无限的可能性。”

“其实这个展览是我的第二稿设计，看完大家的作品之后，我发现缺少一个会客厅，所以我后来又改了一稿设计。展览的形式和手法有很多，我的思考主要是如何让不同的材料，如何让纹理这么繁复的奢石真正应用在空间里面？怎么样的运用会让空间显得更典雅？所以，大家现在看到的整个展是比较居家的感觉。”

“空间中运用的这块叫翠谷幽兰的石材，本身就有非常漂亮，有森林般的花纹，所以整个空间中将很多自然的元素融入到我们设计中，而且当我们呆在家，放松心情的时候，也会希望有自然的气息在里面。”

“这个是米兰白玉，在这里看起来像窗帘般，带着一点点淡淡的绿，很好地融入到整个空间的淡绿色调中去。因为石材最终还是会运用到空间里面，所以我希望以比较生活，更贴合实际场景的方式，让不同奢石自然融合于空间之中。”

“这个作品叫做《蜕变》，我们想呈现的是，从石头最原始的一个状态，矿山、矿石，经过开采，经过时间的洗礼，它以艺术的形式蜕变我们现在看到的样子，地面、家具、台阶等等。石材不再像我们以前看到的那么冰冷，而是变成了我们生活的一种方式。”

“石材的可塑性很强，有很多呈现的形式，就像这样一个小小的展厅，涵盖了人的很多智慧。”

“石材，是我非常喜欢的材质，在以往的项目里面也经常用到石材，但是我非常抵触的是那种大面积铺贴的纹理或者把石材当成某种程度的装饰。石材最美的特点和性质，可能就是最早把它转化成材料的那些人，比方说欧洲的建筑历史中的工匠，他们找到这种材料的时候可能是喜欢它的质感，它透光的特性，所以我想用洞见这个概念让大家缩小角度，去发现石材本身的质感的美，把工业在石材上的附着，把加工及大量的造型除掉。”

“我们缩小了展厅的入口，做成了一个小小的门洞，后边还有一个出口，从入口到出口是一个Z字的动线。从入口进入，在人行走的过程中，我们把几片非常漂亮的透光云石，利用云石本身材质与颜色，光的组合，放置在一个个最基础的几何洞里边，在一个相对安静的环境里，没有太多杂质，去观察石材本身的美，去简单的跟石材有一个对话。

如果能通过这个展览，对石材产生一点点兴趣，更好的去关注这个材料。我相信对设计师也好，品牌也好，甚至整个设计产业里都会有一定的价值。”

“石材的可塑性很大，但是我们又不想把石材很实际的应用到空间里面来，所以我们这个空间看上去很抽象，因为任何具象的东西都没有。”

“在禅宗里面，有一个思想叫十方一念，当你的思绪产生的时候，会有无数个念头穿插在你的脑中。那我们能不能用一个比较硬性的材质，把那些虚幻的思绪，用空间效果呈现出来。同时在杂乱无章的穿插过程中，它也可以有趣的，也可以是规律的，从而去形成一个沉浸式又充满动感的空间。” 

“人们对石材的普遍印象是又硬又重，但当我们站在空间之中，会看到每一种石材是完全悬浮，又互相穿插，这种悬浮的感觉其实违反了很多力学，所以我们尝试去突破结构的界限，呈现出石材在不同的空间纬度的不同感觉。”

“我们这个作品叫像素起居室，很现实、很生活化的一些场景。当时的灵感来源于采矿石的那个地方，从远处看像一个一个像素点，同时它也像我们生活在城市里面的人一样，生活在各种繁杂的像素里。”

“里面的家具、橱柜等生活里面使用的一些场景，都是用石材制作的。我们希望它不一定是看上去的那个功能，可能它就是一个装置，但同时它也是一个椅子。”

“石材，有很多的设计师常用的是一个巨型的版面，那我们觉得它其实还有很多可能性。所以我们这个L型块状的连接有些是接到天上去，有些就接到地上去，去体现石材更多的可塑性。”

“因为我的展位刚好是整个展览的中央区域，然后再加上这次其他策展老师都是男性，所以起初的思考是我能不能采用与其他老师不一样的形式呈现。”

“另外呢，大理石这种材料给到大家很直观的一个印象，可能都是应用在直线的面上，那能不能尝试通过一个弧形的结构，刚好是中轴对称的效果，在中央区域形成聚焦点，所以我们看到的整个展，都是以对称的形式呈现。”

“两边都是十字架的造型，可能每个人看到十字架都会觉得是西方的一种宗教信仰，我不想说这是宗教的隐喻，因为里面也有东方内核的体现，是一阴一阳的互补。我想传达的是，这个空间最后能给到人们安放心灵、安放精神的空间，这是未来人居我想呈现的状态，大家能够在空间里面慢下来，找回安静的力量。”

“现在的都市居住环境越来越拥挤，从而引发了我们对未来居住空间的思考。如果用石材重新构建一个自然森林，并且加入与人的互动会是什么样子？实际上，我们在展厅里做了很多立柱，形成空间中可穿插和游走的动线。在这些立柱上，设计了一些特别的造型，有些用木材做成了喇叭形状，播放从大自然中收集的鸟叫声、水滴声等；有些用木材做成了小橱窗，来表达石材洞穴与未来居住空间的关系。”

“整个空间希望呈现出一种纯粹的氛围，利用呼吸灯光源的一明一暗隐喻我们对未来居住环境自由呼吸的渴望。动态灯膜通过暖光源到冷光源的变化来模拟黄昏到天亮的过程，我们希望参观者进入到这个空间以后，可以在慢慢游走的过程中，细细聆听来自大自然的声音，沉浸在对未来石林世界的无边想象中。”

结 尾

在本次人居空间设计展中，我们看到了石材的可塑性与创新性，更看到了设计赋予石材的全新生命力，提供了石材在人居空间呈现的多重样本，希望以此带给观众更多的关于设计与石材的创新实践。

2022 人居空间发展论坛精彩回顾

2022厦门人居设计生活节产业游学圆满收官

张灿×环球石材

“探索石材的本质，找寻一些原始的状态”

孙建亚×天一集团

“细细看它，烟波浩渺，满目皆是山水”

邓丽司×宏星石材

“磐石等至 · 城市洞穴”

梁志天×华辉股份

“人生如逆旅 我亦是行人”

覃思×万里石家

“唯有一念，遍及十方”

谢天×万里石家

如何平衡石材的“不可再生”？

崔树×磊易石业×曼森原石 

“忘记工业，记住美”

郑铮×金石源实业×磊易石业

“石林矩阵，想象可呼吸共存的未来生活场景”

谢英凯×汉荣石业

“观察人类生活的轨迹，记录每一颗生活像素”

黄永才×锦盛石业

“沉淀在亿万年后，蜕变于千锤百炼中”

2022厦门人居设计生活节官宣

“The theme of this space was ‘Border of Two Opposing Powers’, named after Chinese Chess. The whole area was divided into two sectors, similar to the chessboard, expressing that each party has different opinions on material selection and encouraging audience to think how to apply stone.”

“Western architecture is basically constructed by stone for thousands of years. On one side of the chessboard, there was an European Roman column, representing those who made good use of stone; while on the other side, there was a traditional Chinese footstall made of steel bars in which wasted stone materials from the Roman column were piled, representing the reuse of materials.”

“The seesaw in the middle was wagging from side to side repeatedly, implying the designer and owner’s varying choices upon material selection. Videos of nature were displayed on the LED screen. The whole exhibition space wanted to express the two-sided thinking about materials or stone and the concept of sustainable development. Each audience has his/her own interpretation as ‘there are a thousand Hamlets in a thousand people's eyes’. We were just raising a question for more people to probe in.”

“In this space, I regarded stone as a kind of substance on the planet, rather than one of the building materials. I hoped to show the uniqueness of stone in a specific space, and more important, letting audience have a deeper think of stone.”

“Building material is a word made and defined by human, yet stone is a substance on the planet for centuries. When stone becomes an emotional output, this space would produce more charm. When designers think about design, they have to expand imaginations instead of being limited to a specific definition.”

“The wavy wall was like water ripples. The stone used for this wall is a sedimentary substance on the seabed. We hoped to express its source and show infinite possibilities through this design.”

“In fact, this exhibition was my second design. After seeing others’ design works, I found that there was no living room in HDLF, so I changed the design later. I was thinking how to apply different materials and luxury stone with complicated veins in the space and how to make the space elegant. That’s why the whole space presented a sense of homely.”

“The luxury stone, ‘Green valley orchid’ used in this space has beautiful, forest-like veins. Besides, by decorating with green plants, audience would feel more cozy in this space.” 

“The wavy-style wall was made of White Jade Marble, looking like curtains. I hoped to make different luxury stones naturally integrated into the space so as to fit in the lifestyle and the actual scene.”

“The theme of this space was ‘Transformation’, showing the process of stone from quarrying, raw material to delicate products like slabs for floor, furniture, stairs, etc. Stone is no longer as cold as we used to think, but has become a way of lifestyle.”

“Stone is flexible to be applied in various forms, as you can see in this small exhibition space.”

“Stone is one of my favorite materials that I have used it in many projects before. But I rarely use stone massively in large area as decoration. Therefore, I designed this space with the theme of ‘Space & Observation’ to help audience find out the natural beauty of stone itself.”

“We narrowed the entrance into a small door and planned a z-shape route to the exit of the space. Along the passage, there were pieces of transparent stones in geometrical shapes. With light, you could clearly see the magical veins and feel the texture. If more people would have interests in stone and pay attention to this kind of materials through this exhibition, I believed it would be conducive to designers, brands and the whole design industry.”

“We used stone to shape the blocks so as to integrate the abstract ideology and concrete stone space to express the Zen idea.”

“The theme was ‘One Idea to Ten Expressions’. We used hard materials to present those abstract ideas and thoughts in this exhibition. It could be chaotic or regular, so as to form an immersive and dynamic space.”

“Stone is generally regarded as a kind of hard and heavy material. But when standing in this space, it was clear to find that each stone column was suspended and intersected with others. We tried to break through the boundary of structure and present different feelings of stone in different space latitudes.”

“This space was named as ‘Pixel Living Room’. It was inspired by the scene of stone quarry, that the raw blocks of stone look like pixels on screen by viewing from afar. Likewise, people in modern cities are living in the complex life surrounded by repetitive pixels.”

“The kitchen counter-top, sofa and tables in this space were made of marble, Palissandro Blue. We hoped to design these furniture with multi-functions.”

“Many designers often use stone in large area, but we believe stone has more possibilities to be decorated in small area. There were some L-shaped block installed on the ceiling and walls.”

“The space I designed was in the center of the whole exhibition area. Moreover, I am the only female designer participated in HDLF. Therefore, before designing this space, I was thinking if I could present it differently from other curators.”

“The whole space, as you could see, was an axisymmetric structure with arc-shaped wall and installations surround the central focus point.” 

“On both sides were the shapes of cross, which some might regard it as a kind of religious symbol. However, I found it also embodies the complementary  idea of Yin and Yang in Eastern culture to some extent. What I wanted to construct was a space for people to relax, have meditation and regain power. This is also an ideal habitation state that I hope to present in the future.”

“Nowadays, the urban living environment becomes more crowded, which leads us to think about the future living space. In this exhibition space, we placed some stone columns randomly as trees to construct a forest. Special shapes were designed on these columns. Some were made of wood in the shape of horns, playing sounds of bird warble and drips, while some were in the shape of small display cases to express the relationship between the stone cave and the future living space.”

“We used the light and shade effect as a metaphor for our desire to breathe freely in the future living environment. The dynamic lamp film simulated the process from dusk to dawn by changing the light from warm to cold. Visitors could listen to the sounds and immerse themselves in the boundless imagination of the future stone forest world while wandering in the space.”

END

In Habitat Interior Design Exhibition this year, designers not only explored the possibilities and innovations of stone, but also presented its vitality by design. They provided diversified applications of stone in exhibition space, hoping to inspire visitors upon innovative practice about design and stone.